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One of the latest releases from the seemingly unstoppable Southern Lord Records machine is Enabler's new album, All Hail The Void. Enjoying previous short releases from the Milwaukee quartet, I had no doubt I'd like the new full length, but there was no way to predict it would be an immediate contender as a favorite of 2012. The word 'favorite' isn't something I throw around loosely. I even held my review of the record for several weeks to ensure it's not some state of post-show drunk euphoria, but a genuine appreciation of a colossal 2nd full length from a very deserving band.

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All Hail The Void has all the elements I personally look for in new age brutal hardcore including a winning combination of groove, melody, phrasing, tone and angst. Part crust, part D-beat, and all pissed off, it only takes a moment to realize this band has an unconventional approach to writing catchy riffs. This becomes especially illustrated on tracks like 'Speechless' where you find yourself grooving along despite it's constant sudden shifts. With a collective history inside the roster including the likes of Dead To Fall, Trap Them, Shai Hulud, Today is The Day, The Damned Things and even Fall Out Boy, Enabler proves to be a solid unit of seasoned veterans with something to say. Traktor simulator srbija 2013 nfl schedule.

Review Summary: As nihilistic as its title would suggest, All Hail The Void takes great pleasure in feeding you through the wringer- and you will ask to be fed through again and again and again. Metalcore has more or less become the pariah of the heavier genres.

With the exception of certain bands who have earned their stripes and become much-loved staples (Converge, Poison The Well, Dangers etc.), the genre itself is largely viewed as a wallowing pit for those who don’t have the commitment for classic metal genres, and are more content to tread water in an accepted style of heavier music. This is where bands attempt to employ motifs from other music genres, in an effort to keep their sound fresh; electronic, hip-hop, jazz and indie rock are all genres that bands have tried to inject into their metalcore sound in an attempt to rejuvenate it, usually to very mixed results. Contrasting the crunching musical pandemonium of bands such as Converge and Trap Them, Enabler have a distinct level of clarity to their sound, from the more traditional riffs and percussion to the more decipherable lyrics and variety of musicality. Counted alongside the distinctly heavier variety of metalcore acts, the music is a chaotic amalgamation of genres that actually work and mesh together well, such as hardcore and heavy metal, but with a wealth of additional influences, most notably genres such as thrash and grind, with essence of crust, mathcore and powerviolence thrown in for good measure. The result is delirious exercise in chaotic rage that sits comfortably between dissonance and melody, equal parts anger and passion. From the minimalism of the album cover to the simple scorn of the song titles, All Hail The Void seethes with violent energy, and this is part of its immediate charm. The caustic aggression of the vocal delivery set against the layered musicality is in perfect balance; tracks like ‘No Deliverance’, with its thunderously chunky main riff are offset by a base layer of melody that whirlwinds around the lead guitar and acts as both the perfect foil and the ideal complement to it.