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•, Mode(s) Inside (stylized as INSIDE) is a developed and published by in 2016 for,. The game was released for in December 2017.

The player controls a boy in a world, solving environmental puzzles and avoiding death. It is the to Playdead's 2010 game, and features similar gameplay. Playdead began work on Inside shortly after the release of Limbo, using Limbo's custom. The team switched to to simplify development, adding their own, later released as, to create a signature look. The game was partially funded by a grant from the. Inside premiered at 's conference, with a planned release in 2015.

The game was released for Xbox One on June 29, 2016, Microsoft Windows on July 7, on August 23, for and on December 15, 2017 and for on June 28, 2018. Contents • • • • • • • • • • Gameplay [ ] Inside is a. The is an unnamed boy who explores a surreal environment presented as a game. The game is dark, with color used sparingly to highlight parts of the environment, and mostly silent, with occasional musical cues. The player controls the boy who walks, runs, swims, climbs, and uses objects to overcome obstacles and progress in the game. The boy gains the ability to control bodies to complete certain puzzles, a mechanic that 's Marty Sliva compared to a similar mechanic in. At various points in the game, the player may discover hidden rooms containing glowing orbs.

If all the orbs are deactivated during a playthrough, the player unlocks the game's alternate ending. The boy can die in various ways, such as being shot with a tranquilizer dart, mauled by dogs, ensnared by security machines,, or drowning. As in the predecessor game Limbo, these deaths are presented realistically and are often graphic. If the character dies, the game continues from the most recent checkpoint. Plot [ ] A boy slides down a rocky incline. While running through a forest, he encounters masked guards with flashlights, as well as vehicles with mounted spotlights, and fierce guard dogs.

He escapes the guards, then crosses a road where a block has been set up with more vehicles and guards, to a farm where parasitic worms cause pigs to run rampant. The boy uses the farm animals and equipment to escape to a seemingly-abandoned city where lines of zombie-like people are moved through mind control. Beyond the city is a large factory of flooded rooms, a atrium, and a laboratory environment where scientists perform underwater experiments on bodies.

While traversing these areas, the boy uses a mind-control helmet to control lifeless grey bodies. The boy eventually comes across an underwater siren-like creature that attaches a device to him, allowing him to breathe underwater. Continuing through the office and laboratories, the boy sees scientists observing a large spherical chamber. The boy enters the chamber and discovers a large blob-like creature, the Huddle, made of humanoid limbs connected to four control rods. After disconnecting the rods, the boy is pulled into the Huddle. The Huddle escapes confinement, crashing through offices, killing some of the scientists in its path. The scientists trap the Huddle in another tank, but the Huddle escapes again and breaks through a wooden wall.

It rolls down a forest hill and comes to a stop at a grassy coastline bathed in light. Alternate ending [ ] If the player deactivated the hidden light orbs in the various bunkers, the boy returns to one of the bunkers and gains access to a new area. He reaches an area that includes a bank of computers and one of the mind-control helmets, powered by a nearby socket. The boy pulls the plug from the socket, upon which the character takes the same stance as the zombies, and the game ends moments later. Oracle forms developer download. Theories [ ] Journalists and players have offered several different theories about the game's main ending (the freeing of the Huddle) and the alternative ending. One theory speculates that the boy is controlled by the Huddle throughout most of the game, leading him to help free the Huddle from containment. As described by Jeffrey Matulef of, the game impresses that the Huddle has a magnetic-like draw that leads the boy to endanger himself and unquestioningly enter the tank where the Huddle is kept so as to free it.

Kotaku 's Patrick Klepek noted that players speculated on the theory that taking the alternate ending is working contrary to the Huddle's goal, and the act of unplugging the computers is to release the Huddle's control on the boy. A similar theory has the boy being controlled by one or more of the scientists, evidenced by how some of the scientists appear to aid the Huddle in escaping the facility. In this theory, the scientists put the boy through many dangers to gain strength and intelligence, so that these qualities can be absorbed by the Huddle when the boy frees it, improving the creature in a desirable manner for these scientists. A more interpretation of the game from its alternate ending, and considered the most popular among players according to Klepek, is based on the notion of player agency. Matulef summarizes this theory as 'the boy is being controlled by a renegade force represented by the player'.